Drowning by Charles Chapman |
Charles Chapman is an artist that I hold in very high regard. He is a tattoo artist who inspired me to seek a formal education in art. He is not afraid to experiment, but also keeps several educational resources on hand. Charles is frankly, in my opinion, a phenomenal artist. This is why I decided to analyze one of his traditional art pieces.
In Charles' work, you will see that he does not rely on heavy lines for his work, especially when it comes to realism. Instead - like this piece - he relies form, value, and texture to tell a story. The vibrant use of colors, the asymmetrical break halfway down the canvas giving way to a new texture and reflection, speaks to me as someone who has been diagnosed with an anxiety disorder. This piece goes from smooth and almost sad looking to chaotic and disconnected. It is almost as if this woman has an alter-ego.
The use of texture in this piece can make this piece feel as if it is a vessel for the emotions anxiety can invoke. When the canvas breaks, to me it appears as if it is cracked ice that could break at any moment. You could walk on the "ice" and you could fall through, but you will never know. In the "ice" is the reflection of the woman, however it is distorted. The reflection includes two eyes, and the rest of the face is pointing slightly downward.
The only natural coloring in this piece is the eyes which are colored blue making the emotion she is protraying feel real and significant. The eyes do not reflect the warm tones in the piece, causing them to feel disconnected. The warmth of the reds, oranges, and yellows catch the eye while the blue and black of the hair frame the face with contrast to form a focal point.
In my opinion, the use of these main elements convey exactly what I feel Charles was trying to - the emotion of extreme anxiety. The chaos that comes along with self doubt, paranoia, and the way things tend to not make sense in your mind when experiencing these things.
You can view Charles' other works, as well as his tattoos here.